SCREENWRITING WITH WALTER DONOHUE
03/10/2018 | 5 PLACES LEFT
FULL BOARD: $1,429 (OR 4x $357)

03/10/2018: ENROL NOW
OR
SPLIT OVER 4 MONTHS

SESSION HIGHLIGHTS

  • Individual sessions developing your project with Walter Donohue
  • Group sessions exploring how to get your project green-lit and/or published
  • Evening cinema sessions with screenings, workshops and discussions
  • Full board including room, meals and drinks
  • Unlimited use of our Pro Tools recording studios, arts library, digital editing suites, dark room and other facilities
  • Optional mountain expeditions including ascent of Mont Ceint and the spectacular Cascade d'Ars
Funding is available for this session. Apply now through our Open Grants program, or pick one of the other options from our funding section. If you're returning with a successful funding code, click "ADD CODE" above, enter your code, and hit enter on your keyboard.

Legendary script editor Walter Donohue is the film industry's best kept secret. Over a forty year career he has worked with some of the most distinctive film-makers in the industry, developing scripts with Wim Wenders, Coen Brothers, Wes Anderson, Peter Greenaway, Steven Soderbergh, Sally Potter and Stephen Frears. An editor at Faber and Faber, Walt has also worked with Paul Auster and Hanif Kureishi.

This course is one-off opportunity to have your work shepherded by one of the most connected editors in the business. Whether you're writing a feature script, TV series or novel, Walt will help you find your voice and offer advice about how to get your writing green-lit and/or published. The course will comprise group work and one-to-one sessions, specifically including:

Pre-course engagement to ensure tailored development for each project and writer
Detailed feedback and analysis of your script, characters and narrative structure
Individual one-to-one sessions focused on supporting you to get the most out of your script
Designated writing time geared towards finishing a new draft
Group sessions looking at how to write stories that connect to audiences and excite film-makers
Evening viewings of films made by directors and writers Walter has worked with
Ongoing, flexible support throughout the course


IMPORTANT: BY SIGNING UP TO A COURSE (OR A PAYMENT SPLIT) ABOVE, YOU AGREE TO THE TERMS

INCLUDED IN THE COURSE FEE: FIVE DAYS OF CLASSES AND ACTIVITIES, A COMFORTABLE PRIVATE ROOM AT CAMP, ALL MEALS - BREAKFAST AND LUNCH AT CAMP, DINNER AT AN EXCELLENT LOCAL RESTAURANT, UNLIMITED USE OF OUR RECORDING STUDIOS, EDITING SUITES, REHEARSAL STUDIOS, LIBRARY AND OTHER FACILITIES, POST-COURSE BENEFITS & SUPPORT (SEE BELOW)
NOT INCLUDED IN THE COURSE FEE: TRAVEL
STUDENT LEVEL: THIS IS NOT A BEGINNERS COURSE - PARTICIPANTS SHOULD HAVE A PROJECT THEY'RE ALREADY WORKING ON, MAYBE AT A FIRST DRAFT STAGE.
EQUIPMENT REQUIRED: NONE REQUIRED
POST-COURSE SUPPORT: ONGOING SUPPORT WITH YOUR PROJECT