FIELD RECORDING: RED DEER SEASON WITH CHRIS WATSON
02/10/2019 | 1 PLACES LEFT
FULL BOARD: $1,429

02/10/2019: ENROL NOW

SESSION HIGHLIGHTS

  • Work closely with one of the most respected sound recordists in the world
  • Explore diverse sonic environments from forests, rivers and meadows to high alpine slopes
  • Overnight recording sessions on the mountain listening to the red deer
  • Expeditions into the epic Pyrenean landscape at all hours of day and night, including overnight/dawn chorus recording sessions
  • Release of your work on our in-house label, and installation at Fuse Art Space
  • Full board including room, meals and drinks
  • Unlimited use of our recording facilities, arts library, digital editing suites and other facilities
  • Optional mountain expeditions including ascent of Mont Ceint and the spectacular Cascade d'Ars
Following two sold-out sessions in 2018 (check out the blog here), Chris Watson returns to CAMP for a second 2019 session. Chris's May 2019 session sold out in two days, so please book early if you want to come.

In addition to exploring the subjects covered by Chris's Environmental Sound Recording sessions, this workshop has a special focus. From mid-September to mid-October the high mountains and forests of the Ariege region plays host to one of the most impressive events of the wildlife calendar - the red deer rutting season. As the sun sets, we'll install ourselves on the mountain and wait for the unmistakeable "brame du cerf" - the sonorous call of the red stag. Evening explorations and all-night camping and recording sessions will provide an unforgettable experience of sonic exploration.

While we're not hunting the sound of deer, we'll focus on all factors of working with environmental sound - recording, production, decoding and critical analysis. Taking place in the forests, mountains and high-altitude plains of the Haute Couserans, with field trips to some of the regions most spectacular locations, the course will cover:

Fieldcraft and microphone techniques
Spatial audio recording techniques such as spaced stereo microphones, surround sound arrays, Ambisonic techniques using a Soundfield microphone ST450, Schoeps double mid side arrays and Sennheiser middle and side systems
Experimentation with contact microphones, hydrophones and parabolic reflectors
Surround sound playback and multi-channel systems
Decoding techniques
Listening sessions and discussion of critical analysis
Technical operation and specifics of location recording equipment

The sessions will be accompanied by optional outdoors activities led by CAMP crew, including guided mountaineering, visits to local beauty points, and downtime to hang out, relax, enjoy the local food and wine, and learn informally from Chris, the CAMP crew, and your fellow students. Following the course, we will invite students to submit work for release on our in-house labels, and for installation at Fuse Art Space.

Chris is one of the world's leading sound recordists specialising in wildlife and natural phenomena. In 1971 he was a founding member of the influential Sheffield-based experimental music group Cabaret Voltaire. His sound recording career began in 1981 when he joined Tyne Tees Television, and since then Chris has gone on to forge a reputation as a pioneer of natural sound recording and production, working closely with David Attenborough on Frozen Planet, The Life of Mammals, The Life of Birds, Life in the Undergrowth, Galapagos and others, winning a BAFTA for his work on The Life Of Birds. His TV credits include Springwatch, Autumnwatch and Big Cat Diary, and in 2012 the Broadcasting Press Guild named Chris "Radio Broadcaster of the Year". In 2013 Chris won the Paul Hamlyn Composers Award, and he recently collaborated with Björk on the soundtrack to her 2015 MoMA retrospective in New York and by contributing Icelandic recordings to her 'Utopia' album. His sounds and music are regularly featured on BBC television, Radio 4 and World Service productions including 'The Wire' which won him the Broadcasting Press Guild's Broadcaster of The Year Award (2012). As a freelance composer and sound recordist Watson specialises in creating spatial sound installations which feature a strong sense and spirit of place.

Chris has released four solo albums of field recordings, including "Stepping into the Dark" which won an Award of Distinction at the 2000 Prix Ars Electronica Festival in Linz, Austria, and has collaborated with Mika Vainio, Philip Jeck, Hazard, Fennesz, AER (Jon Wozencroft, aka "Alpha Echo Romeo"), and Biosphere, BJNilsen, and Marcus Davidson. Recent commissions include work for The National Gallery (London) The Royal Opera House (Covent Garden), GRM & Radio France, The Louvre and the Aichi Triennial in Japan.

IMPORTANT: BY SIGNING UP TO A COURSE (OR A PAYMENT SPLIT) ABOVE, YOU AGREE TO THE TERMS

INCLUDED IN THE COURSE FEE: FIVE DAYS OF CLASSES AND ACTIVITIES, A COMFORTABLE PRIVATE ROOM AT CAMP, ALL MEALS - BREAKFAST AND LUNCH AT CAMP, DINNER AT AN EXCELLENT LOCAL RESTAURANT, UNLIMITED USE OF OUR RECORDING STUDIOS, EDITING SUITES, REHEARSAL STUDIOS, LIBRARY AND OTHER FACILITIES, POST-COURSE BENEFITS & SUPPORT (SEE BELOW)
NOT INCLUDED IN THE COURSE FEE: TRAVEL
STUDENT LEVEL: SOME FIELD RECORDING EXPERIENCE ADVISABLE BUT NOT ESSENTIAL
EQUIPMENT REQUIRED: BRING YOUR OWN RECORDING EQUIPMENT (ADVISABLE) OR USE OURS
POST-COURSE SUPPORT: PERFORMANCE AND INSTALLATION OPPORTUNITIES AT FUSE ART SPACE, CONSIDERATION OF WORK FOR DIGITAL & PHYSICAL RELEASE